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On disconeck I used every method of recording that I had used previously, this includes: 4 track, 2-track hi-end tape deck mixing, Garageband editing, digital multi tracking (Fostex), I also even used a VCR to record a part of "Independance Day", I recorded right onto the VHS tape just using the L and R connections of the RCA connectors.
There is some reappropriations on the album, including some older recording mixed with newer recording, and a sample off some "Opera" tape...
The points raised within Disconeck, were meant to be vast; the old hi-fi vs. lo-fi debate, tests of patience, tolerance, and love are also meant to be endured. Tonality is also a very big issue for me, when people ask why sometimes they cant understand the vocals or why the vocals are low, I tell them because it is just another sound contributing. If I really want people to know what I'm saying I will push them up, like on "oh my god" (which was recorded with 3 tracks I think of overlayed one string acoustic guitar...)
I think the concept of Disconeck was to have many concepts. The ones I'm attempting to explain in this albeit scattered writing. Like another for instance was "go get a job" where all the sounds are made by rubbing the nylon strings of my guitar. Or "america" where the synthetic is set against the "organic". Or the space sounds of the tale of rape in "midnight cowboy". The pathos attempt at pop in "Buddha". And finally ending with a dedication to the listener in "for you".
The artwork is different for each cdr release of disconeck, it's a piece cut out of a lingerie book I have, I'm enclosing a photo of one." (S.F.W.)
Here you see another version of the artwork as posted on http://vacuumnoise.blogspot.com/
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Favourite tracks: "new car", "midnight cowboy" and "for you"
1 comment:
just would like to note, that the 2nd image down is a drawing by my good friend David James McDevitt.
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